To Publish Award Winning Productions Again
| Don't Look Up | |
|---|---|
| Release poster | |
| Directed by | Adam McKay |
| Screenplay by | Adam McKay |
| Story by |
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| Produced past |
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| Starring |
|
| Cinematography | Linus Sandgren |
| Edited past | Hank Corwin |
| Music by | Nicholas Britell |
| Product |
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| Distributed by | Netflix |
| Release dates |
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| Running time | 138 minutes[2] |
| Country | United States |
| Language | English |
| Budget | $75 million[3] |
| Box office | $791,863[4] [5] |
Don't Look Upwardly is a 2021 American apocalyptic blackness one-act moving picture written, produced, and directed by Adam McKay, and starring an ensemble cast including Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi (Kid Cudi), Cate Blanchett, and Meryl Streep. It tells the story of two astronomers attempting to warn humanity about an approaching comet that volition destroy man civilization. The impact issue is an apologue for climate change, and the picture show is a satire of government, political, celebrity, and media indifference to the climate crunch.[6] [vii]
Produced by Hyperobject Industries and Bluegrass Films, the film was announced in Nov 2019 and sold by Paramount Pictures to Netflix several months later. Lawrence became the first fellow member of the cast to join, with DiCaprio signing on after his discussions with McKay on adjustments to the script; the rest of the cast was added through 2020. Filming was initially set to brainstorm in April 2020 in Massachusetts, just it was delayed due to the ongoing COVID-nineteen pandemic; it somewhen began in November 2020 and wrapped in Feb 2021.[8]
Don't Look Upward began a limited theatrical release on December 10, 2021, earlier streaming on Netflix on December 24. It received polarized reviews from critics, who praised the bandage and the musical score but were divided on the merits of McKay'due south satire; some constitute information technology deft, while others criticized it as smug and heavy-handed. The film received more positive feedback from scientists. Don't Look Upwards was named one of the top x films of 2021 by the National Board of Review and American Film Institute. It received four University Award nominations, including Best Film, four Golden Globe Award nominations, including Best Movie – Musical or Comedy, and six Critics' Choice Award nominations, including All-time Picture. The flick won Best Original Screenplay at the 74th Writers Club of America Awards. The film set up a new record for the most viewing hours in a unmarried week on Netflix, and went on to become the 2nd most-watched pic on Netflix within 28 days of release.
Plot [edit]
Kate Dibiasky, a Michigan Country University astronomy Ph.D. candidate, discovers a previously unknown comet. Her professor, Dr. Randall Mindy, confirms that it will collide with the Globe in about six months and is large enough to cause a planet-wide extinction consequence. NASA confirms the findings and their Planetary Defense Coordination Part head Dr. Teddy Oglethorpe accompanies Dibiasky and Mindy to present their findings to the White House. They are met with apathy from President Janie Orlean and her son and Main of Staff Jason.
Oglethorpe urges Dibiasky and Mindy to leak the news to the media and they do and so on a morn talk testify. When hosts Jack Bremmer and Brie Evantee care for the topic frivolously, Dibiasky loses her composure and rants about the threat. Mindy, on the other hand, receives public blessing for his looks. Actual news nearly the comet'southward threat receives little public attention and the threat is denied by Orlean'south NASA Director Jocelyn Calder, a top donor to Orlean with no background in astronomy. When news of Orlean's sex scandal with her Supreme Court nominee Sheriff Conlon is revealed, she distracts from the bad publicity past finally confirming the threat and announces a project to strike and divert the comet using nuclear weapons.
The mission successfully launches, but Orlean abruptly aborts it when Peter Isherwell, the billionaire CEO of Bash Cellular and another meridian donor, discovers that the comet contains trillions of dollars worth of rare-globe elements. The White House agrees to commercially exploit the comet by fragmenting and recovering it from the bounding main, using engineering science proposed by Bash in a scheme that has not undergone peer review. Orlean sidelines Dibiasky and Oglethorpe while hiring Mindy as the National Scientific discipline Advisor. Dibiasky tries to mobilize public opposition to the scheme, only gives up under threat from Orlean's administration. Mindy becomes a prominent voice advocating for the comet's commercial opportunities and begins an matter with Evantee.
World stance is divided amidst people who believe the comet is a serious threat, those who decry alarmism and believe that mining a destroyed comet will create jobs, and those who deny that the comet fifty-fifty exists. When Dibiasky returns domicile to Illinois, her parents kick her out of the house and she begins a human relationship with a young human being named Yule, a shoplifter she meets at her retail job. Later on Mindy's wife confronts him nearly his infidelity, she returns to Michigan without him. Mindy questions whether Isherwell's technology will exist able to break autonomously the comet, angering the billionaire. Becoming frustrated with the administration, Mindy finally snaps and rants on live television, criticizing Orlean for downplaying the impending apocalypse and questioning humanity's indifference.
Cutting off from the assistants, Mindy reconciles with Dibiasky equally the comet becomes visible from Earth. Mindy, Dibiasky, and Oglethorpe organize a protestation campaign on social media, telling people to "Just Look Up", and call on other countries to bear comet interception operations, while Orlean starts an anti entrada telling people "Don't Look Up". Orlean cuts Russia, India, and China out of the comet-mining deal, and so they prepare a joint effort to deflect the comet only for their spacecraft to explode. Bash'south attempt at breaking the comet apart likewise goes awry, and anybody realizes that humanity is doomed.
Isherwell, Orlean, and others in their elite circumvolve board a sleeper spaceship designed to notice an Earth-similar planet, inadvertently leaving Jason behind. Orlean offers Mindy two places on the ship, but he declines, choosing to spend a last evening with his friends and family. Equally expected, the comet strikes off the coast of Republic of chile, causing a worldwide disaster and triggering an extinction-level outcome. The shockwave strikes Mindy's house, killing him and those within.
In a mid-credits scene, the 2,000 people who left Earth earlier the comet's touch on land on a lush alien planet 22,740 years later, catastrophe their cryogenic sleep. They go out their spacecraft, naked and admiring the habitable world. Orlean is of a sudden killed by a bird-like predator, one of a pack which surrounds the planetary new-comers.
Cast [edit]
- Leonardo DiCaprio as Dr. Randall Mindy, an astronomy professor at MSU (Michigan Land University) and Kate'due south teacher
- Jennifer Lawrence as Kate Dibiasky, an MSU doctoral candidate in astronomy. Lawrence received acme billing in the film's opening credits and was listed kickoff on the phone call canvas. She recognized that she and DiCaprio shared equal billing, but said that, "perhaps somewhere downwards the line, I kicked the stone further, similar, 'What if information technology wasn't equal?'".[ix]
- Rob Morgan as Dr. Teddy Oglethorpe, head of the Planetary Defense Coordination Function
- Jonah Hill as Jason Orlean, Chief of Staff and Janie's son. About his inspiration for his graphic symbol, Loma wrote, "I idea, what if Fyre Festival was a person and that person had power in the White House".[ten]
- Mark Rylance as Peter Isherwell, the billionaire CEO of the fictitious tech visitor Fustigate and i of Orlean's top donors
- Tyler Perry as Jack Bremmer, the co-host of The Daily Rip morn talk testify
- Timothée Chalamet as Yule, a young shoplifter whom Kate befriends
- Ron Perlman every bit Colonel Benedict Drask, war veteran and Presidential Medal of Liberty recipient who is sent upwardly with the initial launch to divert the comet
- Ariana Grande equally Riley Bina, an international music star
- Kid Cudi[eleven] equally DJ Chello, an international music star who becomes Riley's fiancée on The Daily Rip
- Himesh Patel as Phillip Kaj, a journalist at Dissection and Kate'south boyfriend
- Melanie Lynskey as June Mindy, Dr. Randall Mindy's wife
- Michael Chiklis as Dan Pawketty, host of the conservative Patriot News Network
- Tomer Sisley as Adul Grelio, senior editor at The New York Herald
- Paul Guilfoyle equally US Air Force Lieutenant General Stuart Themes, The Pentagon liaison to the White Business firm
- Robert Joy as Congressman Tenant, a congressman and follower of Janie
- Cate Blanchett every bit Brie Evantee, co-host of The Daily Rip
- Meryl Streep as Janie Orlean, the President of the United States
- Erik Parillo equally Sheriff Conlon, Orlean'south option for Supreme Court Justice who ends upwards in a sex scandal with Orlean.
- Jon Glaser every bit Meow Man
- Sarah Nolen as the puppeteer of Sammy
- Allyn Burrows as Mr. Dibiasky, the begetter of Kate
- Tori Davis Lawlor equally Mrs. Dibiasky, the mother of Kate
Additionally, Robert Hurst Radochia and Conor Sweeney appear as Randall and June's sons, Evan and Marshall Mindy. Hettienne Park appears every bit Dr. Jocelyn Calder, the Caput of NASA. In that location are cameo appearances by Liev Schreiber as the Bash narrator, journalist Ashleigh Banfield as Dalia Hensfield, Sarah Silverman every bit comedian Sarah Benterman, Bollywood actor Ishaan Khatter every bit Raghav Manavalan and Chris Evans (uncredited) equally picture show role player Devin Peters who stars in the picture Full Devastation and attempts to exist a centrist about whether or not to worry about the failure to divert the comet when humanity had the take a chance. Matthew Perry and Gina Gershon were cast for roles in the film, but had their scenes cutting.[12] [13]
Production [edit]
Writer, director, and producer Adam McKay
Produced by Hyperobject Industries and Bluegrass Films, the motion-picture show was appear in November 2019 and sold past Paramount Pictures to Netflix several months afterward. Lawrence became the first member of the cast to join, with DiCaprio signing on subsequently his discussions with McKay on adjustments to the script; the residuum of the bandage was added through 2020.
This film came from my burgeoning terror about the climate crisis and the fact that we live in a order that tends to identify it as the fourth or 5th news story, or in some cases even deny that it'due south happening, and how horrifying that is, but at the same time preposterously funny.[xiv]
—Adam McKay, writer, director, and producer of Don't Look Up
After Vice was released, David Sirota asked Adam McKay to use his "superpowers of humour and writing" to create a climate change picture that would exist different from the Mad Max-blazon post-apocalyptic films that had previously been released.[15] In an interview with Entertainment Weekly, McKay described how he and Sirota came upwards with the premise of Don't Look Up while discussing the existential threat of climate change and their frustration over the lack of media coverage it was receiving:
I started talking to a lot of [climate] scientists. I kept looking for good news, and I never got it. Everything I was hearing was worse than what I was hearing on the mainstream media. So I was talking to [David Sirota], and we were both just like, "tin you lot believe that this isn't being covered in the media? That information technology's being pushed to the finish of the story? That there's no headlines?" And Sirota just offhandedly said, "information technology's like a comet is heading to Earth and it's going to destroy us all and no i cares." And I was like, "that'south the idea!"[16]
McKay has described the film as a "blend of broad one-act" with elements of disaster films and horror films.[17]
Astronomer Amy Mainzer, principal investigator of NASA's NEOWISE mission that tracks Almost-Globe objects, served as an "astrotech adviser" for the movie. She provided scientific advice and supported with writing scenes from an early stage of production.[xviii] [19]
On November viii, 2019, information technology was announced that Paramount Pictures would distribute the film, with Adam McKay writing, directing, and producing nether his Hyperobject Industries banner.[20] On February xix, 2020, Netflix acquired the film from Paramount and Jennifer Lawrence was cast in the film.[21] On May 12, 2020, it was announced that Cate Blanchett had joined the film.[22] In September 2020, Rob Morgan joined the cast.[23] In Oct 2020, Leonardo DiCaprio, Meryl Streep, Jonah Hill, Himesh Patel, Timothée Chalamet, Ariana Grande, Kid Cudi (credited as his real proper name Scott Mescudi), and Tomer Sisley were added.[24] [25] McKay wrote the function of Dibiasky specifically for Lawrence, and spent four to five months going over ideas with DiCaprio, tweaking the script earlier the actor ultimately signed on.[26] In November 2020, Tyler Perry, Melanie Lynskey, and Ron Perlman joined the bandage.[27] Marking Rylance, and Michael Chiklis were revealed as part of the bandage in February 2021.[28] Paul Guilfoyle was announced in May.[29] Matthew Perry had scenes filmed with Hill that were ultimately cut from the final flick.[xxx] Gina Gershon likewise filmed a scene with DiCaprio and Blanchett that was cut from the film.[31]
Master photography was delayed due to the COVID-nineteen pandemic.[32] Filming commenced on November 18, 2020, at various locations in Boston, Massachusetts.[33] Part of the picture show takes place in New York Metropolis with Boston standing in equally New York. Filming besides took identify in other Massachusetts cities including Brockton, Framingham, and Westborough.[a] [34] [35] On February 5, 2021, Jennifer Lawrence was mildly injured during filming when a controlled glass explosion went awry.[36] On February 18, 2021, principal photography wrapped.[37]
To promote the film, Ariana Grande and Kid Cudi released the unmarried "Just Await Up" on December 3, 2021, a vocal that is also performed in the film.[38]
Release [edit]
On Feb xix, 2020, it was announced Netflix planned to release the film in 2020.[21] Due to the COVID-19 pandemic, filming and release of the picture were delayed.[39] The film premiered in New York Metropolis on December five, 2021.[twoscore] It received a limited theatrical release on Dec 10, and began streaming on Netflix on Dec 24.[41] [42] The film fabricated an estimated $260,000 from 500 theaters on its kickoff day, and a full of $700,000 in its opening weekend.[43]
Audience viewership [edit]
Don't Look Up was the most-streamed English language-language film on Netflix during the week of December 20–26, 2021 with a viewership of 111.03 million hours,[44] the second highest viewership for a picture during its debut weekend on Netflix.[45] It was the 2d most-streamed-film of the week in the United states of america according to TV Time.[46] Per Nielsen, the film had a viewership of 1.6 billion minutes in the The states.[47] In the 2d week, it retained its first position with a viewership of 152.29 million hours,[48] which also set the tape for highest weekly viewership for any film ever on Netflix.[49] [50] It was the second almost-streamed-film in the Us according to Nielsen with a viewership of 2 billion minutes, with its rise compared to previous week driven by a more even audition share among the xviii–34, 35–49 and 50–64 age ranges.[51]
The moving picture retained its position on Netflix in third week with a viewership of 58.2 million hours.[52] Per Nielsen information technology was the 2nd almost-streamed-moving-picture show in the Usa during the week with 807 million minutes viewed.[53] In the quaternary week information technology was displaced to the 2nd position on Netflix's chart while garnering a viewership of 28.39 one thousand thousand hours.[54] In the fifth calendar week, which concluded 30 days later the moving picture was released, it barbarous to the 3rd position while garnering a viewership of 17.13 million hours.[55] According to Nielsen, it was the 6th-most-streamed-motion-picture show for the calendar week with 278 million minutes viewed.[56] For its first 28 days, it culminated a viewership of 359.8 meg hours, making it the 2d most-watched movie within 28 days of release on Netflix during this period of time.[57]
In the 6th week, information technology was ranked fourth on Netflix with a viewership of x.25 million hours.[58] According to Nielsen, it was the 9th almost-streamed film in the The states with a viewership of 165 meg minutes.[59] The following week, it brutal to the 7th place in Netflix's rankings, while beingness viewed for 6.93 meg hours.[lx] In the eighth week, it was ranked 10th with a viewership of five.34 million hours.[61] By March xx the film had been streamed in ten.3 million households in the Usa according to Samba Idiot box, including 641,000 since the Oscar nomination announcements on February eight.[62]
Reception [edit]
Critical response [edit]
On the review aggregator website Rotten Tomatoes, 55% of 286 critics' reviews are positive, with an average rating of half-dozen.30/10. The website'south consensus reads, "Don't Wait Upward aims too high for its scattershot barbs to consistently land, but Adam McKay's star-studded satire hits its target of collective denial square on."[63] Metacritic, which uses a weighted average, assigned the film a score of 49 out of 100, based on 52 critics, indicating "mixed or average reviews".[64]
The San Francisco Chronicle 's Mick LaSalle praised the motion-picture show and wrote, "Don't Look Up might be the funniest pic of 2021. It's the nigh depressing likewise, and that odd combination makes for a i-of-a-kind experience... McKay gives y'all over two hours of laughs while convincing you that the world is coming to an terminate."[65] Richard Roeper of the Chicago Sun-Times gave the film 2.5 out of iv stars and said: "From Streep and DiCaprio and Lawrence through the supporting players, Don't Look Upwards is filled with greatly talented actors really and truly selling this textile—but the volume remains at 11 throughout the story when some changes in tone here and there might have more effectively carried the twenty-four hour period."[66] Reviewing the picture for the Los Angeles Times, Justin Chang wrote, "Zip about the foolishness and outrageousness of what the motion picture shows us—no matter how virtuosically sliced and diced by McKay'southward characteristically jittery editor, Hank Corwin—can really compete with the horrors of our real-world American idiocracy."[67] Amit Katwala of Wired concluded that "Don't Expect Upwards nails the frustration of being a scientist."[68] Linda Marric of The Jewish Relate gave the film 4/5 stars, writing: "There is something genuinely endearing about a film that doesn't seem to intendance one bit about coming across as silly as long as its message is heard".[69] Shruti Kotiya of Sportskeeda, suggests that "Don't Look Up also feels similar to Mike Judge'south Idiocracy, which is set in 2505 America, where mindless entertainment and violence are what actually matter. It also sheds low-cal on how the world'southward collective IQ has hit its everyman, which is why Don't Look Up is like a 21st-century version of information technology."[70]
In a negative review, David Rooney of The Hollywood Reporter called the film "A cynical, insufferably smug satire stuffed to the gills with stars that purports to annotate on political and media inattention to the climate crisis but actually just trivializes it. Dr. Strangelove information technology own't."[71] Peter Debruge of Variety called the picture a "smug, like shooting fish in a barrel-target political satire" and wrote, "Don't Look Upwardly plays like the leftie answer to Armageddon—which is to say, it ditches the Bruckheimer approach of assembling a bunch of blue-collar heroes to rocket out to space and nuke the budgeted comet, opting instead to spotlight the apathy, incompetence and financial self-interest of all involved."[72] In The Guardian, Charles Bramesco wrote that the "script states the obvious as if everyone else is too stupid to realize it and does and then from a position of lofty superiority that would bulldoze away any partisans who still need to be won over."[73] Reviews from right-wing publications were most unanimously negative. Madeline Fry Schultz of the American bourgeois publication Washington Examiner wrote that "McKay manages to deliver nothing more than than a derivative and meandering "satire" of commercialism, Donald Trump, and climate deniers that volition be forgotten in less than six months."[74] Kyle Smith of American conservative publication National Review wrote that the moving-picture show "expends 140 brain-injuriously unfunny minutes... propelling depression-velocity spitballs at social media, Washington, tech moguls, Trumpism, and (this detail feels thrown in terminal minute) anti-vaxxers."[75]
Nathan J. Robinson, editor of Current Affairs, believes that "critics were not only missing the point of the film in important ways, but that the very way they discussed the flick exemplified the trouble that the film was trying to draw attention to. Some of the responses to the pic could have appeared in the moving picture itself."[76] Slavoj Žižek, writing in Meaty, said that "critics were displeased past the low-cal tone of Don't Look Up!, claiming it trivializes the ultimate apocalypse. What really bothered these critics is the verbal opposite: The film highlights trivialization that permeates non only the establishment, merely even the protesters."[77] In The Guardian, Catherine Bennett viewed the movie equally astute and was caustic near the disquisitional reviews.[78] Writing for the American socialist publication Jacobin, Branko Marcetic says that the plot of the flick, while cool, hardly exaggerates, noting that "much of our political elite are only equally greedy and foolish, our media but as vapid, and our response to impending disaster exactly equally listen-bogglingly irrational equally in the motion-picture show."[79] British announcer and environmental activist George Monbiot wrote in The Guardian that "no wonder journalists take slated it … it's almost them" and added that for environmental activists like himself, the moving picture, while fast‑paced and humorous, "seemed all too real".[80]
Bong Joon-ho, director of Snowpiercer and Parasite, included Don't Expect Upwards equally one of his favorite films of 2021.[81]
Reception among scientists [edit]
Since the film's release, numerous climate scientists and climate communicators take offered positive opinions on the film.[82] [83] [84]
In an opinion piece published in The Guardian, climate scientist Peter Kalmus remarked, "Don't Await Up is satire. Merely speaking as a climate scientist doing everything I can to wake people up and avoid planetary destruction, information technology's too the most accurate moving-picture show about society's terrifying non-response to climate breakdown I've seen."[85] Climate scientist Michael Eastward. Mann also expressed support for the film, calling it "serious sociopolitical commentary posing as comedy".[86] In an article for Scientific American, Rebecca Oppenheimer questioned the motion picture's employ of a comet bear upon as an effective metaphor for climate modify, given the large differences in timescale of these differing potential extinction crisis events and the nature of their impacts, but praised its depiction of science denialism and depiction of a botched endeavor to address a "planet-killer" comet.[18] Climate policy expert Ayana Elizabeth Johnson and McKay wrote a joint op-ed in The Guardian advocating for the value of humour in promoting action on climate change, in contrast with other media coverage.[87]
Writing in Physics World, Laura Hiscott said that this "genuinely funny and entertaining moving-picture show" would appeal to scientists, who would appreciate the "nods to academia such every bit the importance of peer review, the 'publish or perish' trouble and the issue of senior academics getting the credit for their PhD students' discoveries".[88]
One of the scenes in the flick was compared on social media to a situation in Brazil. In that situation, microbiologist and science communicator Natália Pasternak Taschner criticized a news study made by Idiot box Cultura on a live broadcast in December 2020. They told the Brazilian population to face the COVID-nineteen pandemic with "lightness", minimizing the risks. They besides put pressure on the public to be content and uncritical of the Jair Bolsonaro administration'south lack of constructive response to the pandemic.[89] Hearing near the comparisons, Pasternak thanked McKay, DiCaprio and Lawrence on Twitter with the video subtitled in English language to thank them for the "incredible" film.[90]
Accolades [edit]
Meet besides [edit]
- Double Asteroid Redirection Exam – a real NASA mission to test deflection of an asteroid in 2022
- Climate change in pop civilisation
Notes [edit]
- ^ Additional filming locations include County, Chicopee, Autumn River, Norton, Salisbury, Weymouth, and Worcester.
- ^ a b c d Nominees: Ariana Grande, Child Cudi, Nicholas Britell, and Taura Stinson
- ^ Nominees: Cate Blanchett, Timothée Chalamet, Leonardo DiCaprio, Ariana Grande, Jonah Loma, Jennifer Lawrence, Melanie Lynskey, Kid Cudi, Rob Morgan, Himesh Patel, Ron Perlman, Tyler Perry, Mark Rylance, and Meryl Streep
References [edit]
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External links [edit]
Source: https://en.wikipedia.org/wiki/Don%27t_Look_Up
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